Posted on 21 July 2010

I can’t believe it’s this time of year again. Where did 2009 go? Where did my
summer go?
Don’t get me wrong. I’m not complaining, I’m just perplexed at the passage of time, especially summer time. Since it was snowing in my corner of the prairie through May, I suppose this is partly why I’m discombobulated. But it feels like I was just posting the first images of Iron Man 2, and crossing my fingers to get into the Hall H panel.
A lot of people loathe ComicCon. A lot of industry people regard it with a mixture of sadness, regret, and nostalgia. This is an event that began in a guy’s basement, and boasted nothing more than a few boxes of comics. Now it’s this megalith of pop culture where comics and their longboxes are taking a smaller and smaller seat at the table. Actually, I think many — not just comic book professionals — feel the con has been taken away from them. Fans lament the focus, the crowds and occasionally grim “Welcome to ComicCon, time to queue up!” atmosphere. ComicCon used to be a casual geek party. Now it’s an obstacle course that even Rambo would sweat to navigate. (Since Stallone is coming to the con this year, we should totally put it to the test!)
SDCC is a weird event for me. On one hand, it’s become something I almost dread, but it also feels like a bit of a homecoming or renewal. This is where I started this oddball job of mine. Now, I hate to get sentimental and mawkish, but it felt right to do a more personal column and save up all agonizing “Why did they ruin it?” ammunition for upcoming weeks. Plus, I may even have some interviews to run in this space instead. Neat! So, bear with me — and hopefully share your own deep, dark, and wistful stories at the end.
Filed under: The Geek Beat
Continue reading The Geek Beat: Con Men and Women
Permalink | Email this | Comments
Posted on 14 July 2010

Over the three years I’ve been writing this column, I’ve yet to predict what will be the match to light fandom’s gasoline. It’s impossible. Major casting decisions are received with a shrug. Minor ones threaten to cause riots in the streets. (Well, if “the information highway” was a street, anyway.) Some films earn fervent cult followers that won’t hear a negative comment; others are proudly and enthusiastically trashed no matter what goodwill may have gone into it.
When Drew McWeeny broke the news of Norton and Marvel parting ways, I expected a small flurry of a response. After all, rumors had swirled since Summer 2008 that there wouldn’t even be a sequel to The Incredible Hulk. Stories of Norton’s demanding behavior were rampant. Norton was honest about the silence between him and Marvel. “The minds of Marvel are sometimes opaque. I won’t say [they're] obtuse, but I don’t have any idea what they want to do.”
Filed under: The Geek Beat
Continue reading The Geek Beat: Is Marvel Losing Fan Goodwill?
Permalink | Email this | Comments
Posted on 07 July 2010

Last week, geekdom had a small meltdown over the new Wonder Woman costume, and J. Michael Straczynski’s new reboot/retcon/alternate universe that will launch in Wonder Woman #600. The consensus was generally “nay” to both ideas,
especially the outfit, though we all know how short-lived new ideas in comic books can be. Normally, I wouldn’t write about comic book news, even if ABC News and
Nikke Finke are both shrieking about it, but I think this revamp (good, bad, or ugly) is going to be important for Wonder Woman. It’s not going to be a mere footnote on her Wikipedia page. I think her big screen chances might rest on it.
Wonder Woman is an odd character. She sells more merchandise than she sells books. I know a lot of women who love the idea of Wonder Woman, and they own the doll, the t-shirt, and the sports bra, but they don’t own the comic books. Market analysis claims this is because the books aren’t good, and the character is dull, but I don’t think that’s true. I think it simply comes down to comic books being so inaccessible to average readers — not necessarily because of cryptic mythology or childish reputation (though that’s part of it) but because they’re difficult to buy on a whim. But that’s another topic. The argument goes that she doesn’t sell because she’s boring, cold, or underdressed.
Filed under: The Geek Beat
Continue reading The Geek Beat: Wonder Woman: More Marketable In Pants
Permalink | Email this | Comments
Posted on 23 June 2010
Jonah Hex is a character who has had his share of massive ups and downs. Half of his face is burned away. He had a horrific childhood. He was sold into slavery. He fought on the losing side of the Civil War. His wife and son left him. He traveled to the future. His corpse was stuffed and mounted in a sideshow. But by far, the most humiliating thing in Jonah’s life happened this weekend, when his half-plucked film hit theaters to the tune of record lows at the box office.
I’ve written a lot of Hex pieces in the past few months, and I hesitate to write another one, because it may seem like I’m beating one of his ill-fated horses to death. But I’m a fan of the character, and as a fan, I feel as cheated as I did last summer with X-Men Origins: Wolverine. This time, it’s a little more personal. Jonah Hex was one of the first film sets I visited, and arguably one of the most exciting because I knew the source material. I watched a character I knew come to life, and it was as cool as I hoped it would be. In the months that followed, I whispered what I’d seen to my fellow Hex fans, and assured them it was in good hands.
Filed under: The Geek Beat
Continue reading The Geek Beat: ‘Jonah Hex’ and a Faceful of Flop
Permalink | Email this | Comments
Posted on 26 May 2010

As
LOST drew to a close on Sunday, having abandoned much of the physics and philosophy
they hinted at along the way, I was left with one thought (ok, a lot of thoughts, but this isn’t about
LOST anyway): Has faith won out over science? After all,
Battlestar Galactica took a very similar road of religious resolution that’s still controversial among
BSG fans.
I’m not as avid a sci-fi reader as I should be (researching this column has caused me to make a very long to-read / read again list), but I try to be an avid sci-fi watcher. With two television shows deciding to throw their storylines towards faith over reason, I began to wonder what our sci-fi legacy might be when all is said and done. After all, last year was a big one for sci-fi, with Star Trek, District 9, Avatar, and Moon making quite an impact on moviegoers. (Let’s not forget the flops such as Surrogates or Terminator: Salvation; they’re still emblematic of our place and time.) Only Avatar can really be said to have tackled faith in any recognizable way, and could potentially be lumped in with BSG and LOST, as a nature loving lifestyle and a reverence for the Tree of Souls triumphs over technology. But it’s a stretch to classify Avatar as really participating in that debate. (Science does try to explain how the Na’vi and their “worship” works, though. So maybe it’s not that big of a stretch.)
Arguably, the overarching theme was really the most basic one of sci-fi or “mainstream” fiction (what it means to be human, the indomitable nature of our spirit), but I also see a theme that LOST really ran with: What happened, happened. What’s done is done. There is no do over. Even Star Trek, arguably the most cheery of the lot, resolutely went forward having destroyed Romulus and Vulcan, and stranded “our” Spock in a timeline not his own.
Filed under: The Geek Beat
Continue reading The Geek Beat: Timelines Of Our Sci-Fi Legacy
Permalink | Email this | Comments
Posted on 19 May 2010

Given that we’re now midway through 2010, it may be a little late to go back and ponder the 2000s. But the release of
Robin Hood set me to thinking about one weird trend of our deceased decade. I had all these epic ideas of completely explaining said trend (shades of college — I will be the undergrad who discovers Shakespeare’s Dark Lady!), only to find I’m at a bit of a loss for it. But it’s worth talking about, anyway.
And if you’re sitting here going “Is she going to talk about Robin Hood? What does that have to do with geekdom?” Well, good readers, folklore and history is full of geeks. It’s our spawning pool. Without J.R.R. Tolkien and his love of dead language and desire for an English mythology, you wouldn’t have hobbits. Without hobbits, you’d only have Robert E. Howard and his imitators, so it would be a much drier section of the bookstore. Besides, you don’t need me to tell you geekdom is a giant hodgepodge of genres and ideas. (I’m sure I’ve frustrated many by focusing so much on comic books, but I’ve tried to be a topical columnist, and that’s provided the most material. There’s only so many vain hopes and misty retrospectives one can do, and this column hasn’t lent itself well to either. My failing!)
Now, let me clear one thing up. I’m in the minority of actually really liking Robin Hood. But there’s no doubt that it’s the latest installment of a very tired and unappealing trend of explaining The Real Story Behind the Story. Again, let me stress I actually liked the movie, and dug Ridley Scott’s little tweaks to the story. I’ve dug through enough dusty books to know Robin has never been one definitive story or figure. The earliest portrayals of him would shock everyone who has complained that Russell Crowe isn’t their Robin Hood. But that’s a better topic for a Motion History. (Shameless plug. But the online memory is short. I have to be a bit of a hussy!)
Filed under: The Geek Beat
Continue reading The Geek Beat: The Story Behind the Story
Permalink | Email this | Comments
Posted on 12 May 2010

This week, I won’t open with a caveat. I’m just going to be rebellious, bucking the critical consensus, and pretend to be the kind of fangirl who favors comic book canon over all else. Oh wait, that’s a caveat isn’t it? Darn. Well, opening paragraphs were never my strong suit — thesis statements were. So, here’s my thesis statement: I really liked the element of
Iron Man 2 that everyone hated. I liked his inactivity.
The hero’s journey is so old, so prestigious, and so creepily omnipresent that it’s had hundreds of books, articles, and lectures written about it. Part of that journey is always a stumble or two (or three . . .) but the hero always emerges triumphant. Tony Stark is no exception to this rule. What makes him a little more fun than most heroes, though, is that he is constantly stumbling. Whenever he’s on top of the world, he loses it all — his company, his technology, his health, his sanity. It happens again and again. His greatest villain has always been himself. Batman has the Joker, Superman has Lex Luthor, and Tony Stark has the demon liquor. I don’t think there’s a single comic book character whose greatest and most famous battle was with a human disease over a supervillain. Iron Man remains a unique figure for that very reason. Plenty of heroes make careers out of their mental issues. Tony’s superhero career has been troubled because of them.
Filed under: The Geek Beat
Continue reading The Geek Beat: Inactive Iron Man
Permalink | Email this | Comments
Posted on 28 April 2010

We often forget that geekdom (or Geekdom, if you feel like being super proper or something) is not one unified entity. This should be obvious; people who enjoy sports don’t always enjoy the same sports, movielovers don’t enjoy all movies, and so on. But because geeks are still a mysterious and unpredictable entity, we’re all lumped in together as being fans of
Doctor Who,
Star Trek, and comic books in equal measures. The Internet helps maintain this image, since we all tend to flock to the same megasites to read or talk about whatever winds us up.
But those who enjoy something geeky know that it’s still difficult to excite your friends about whatever excites you. If you have Doctor Who friends, they may be utterly uninterested in your latest XBOX purchase, and your gaming friends may not care about the issue of The New Avengers you just read. Even if you offer them Ultimate Hulk Versus Wolverine and say “But this is the guy who also writes LOST!” you’re likely to get a shrug and a “I hate comic books and LOST. Put that crap away.” We’ve all been there.
There’s one man who seems to mysteriously bridge that gap: Joss Whedon. There’s a reason there’s a brisk market in “Joss Whedon Is My Master Now!” t-shirts, and it isn’t because the wearers really dug Firefly. The man wields an incredible power inside of geekdom and outside it. People who wouldn’t darken the doors of a Comic-Con watched Buffy: The Vampire Slayer, bought the t-shirt, action figures, and DVDs, and will perk up whenever his name is mentioned. It’s a hook you can exploit like none other. I know, because I’ve done it.
Filed under: The Geek Beat
Continue reading The Geek Beat: The Power of Joss Whedon
Permalink | Email this | Comments
Posted on 14 April 2010

It’s a controversy you could have predicted
the minute Chloe Moretz was cast as “a vicious, foul-mouthed 11-year-old who chops down criminals with a katana.” Parental groups and critics are upset about Hit-Girl the world over. “It’s a disturbing step into the perverse, reveling in the corruption of an 11-year-old girl,” Focus on the Family’s Deb Sorensen said to
Australia’s Herald Sun. “It’s different to any other superhero film which focuses on good triumphing over evil.”
Well, having read Kick-Ass (I haven’t seen the film yet), I know that’s not the case. For all its “edginess”, Mark Millar’s violent little opus breaks no new ground in the hero’s journey, and it punishes evil in no uncertain terms. In fact, it’s Hit Girl who leads the final charge. She’s the true hero of the story — and it’s no wonder since Kick-Ass originally started out as a book about her and Big Daddy. Millar decided your average reader could relate better to a teenage boy protagonist than an “extreme” 11 year old and her Spartan papa, so they were relegated to the supporting cast. Since they’re the characters everyone is talking about, I’d venture to say that Millar made a bit of a mistake there. Plenty of superhero books focus on teenage males; not nearly enough star young girls.
Filed under: The Geek Beat
Continue reading The Geek Beat: Hit-Girl Hysteria
Permalink | Email this | Comments
Posted on 07 April 2010

The news that
The First Avenger: Captain America had chosen to follow the holy mythology and
give Cap a sidekick upset a few people. Screams of Batman, Robin,
Chris O’Donnell and
Joel Schumacher were subdued, but they were there. I was all set to write about the perils and potential of having a sidekick in movies, but I decided you all might be sick of hearing strictly from me. Plus, the topic of sidekicks seems to beg for … well, a sidekick. Since I don’t have one that can talk, I fired off a quick plea to my friend
Justin Gray. The co-writer of DC’s
Jonah Hex and
Power Girl,
IDW’s
The Last Resort, and Image’s
Random Acts of Violence (hits stores on April 28th!), he is the comic and movie guy I like to bug on a daily basis, and he lets me. He agreed to be the Col. Mortimer to my Manco, put up with my silly early morning questions, and share his thoughts on what makes a sidekick good, bad, and problematic.
I hope you enjoy. If you do, go buy all his and Jimmy Palmiotti’s books as payment. Every moment I keep him away from his desk is another that he can’t script. So thank him in the comments.
Elisabeth: Hearing Captain America’s movie was going to include Bucky immediately provoked a lot of complaints and comparisons to Robin. People fear sidekicks and yet they’re an integral part of the hero’s arsenal. Why is that, my dear Mr. Gray?
Justin: Back when the majority of the comic book reading audience was made up of children, sidekicks were created to help foster a connection between the reader and the material. Kids were to imagine that they could go along with their heroes on adventures and that they were integral to the hero’s success. It didn’t take long for the innocence of the teen sidekick to be twisted by “concerned” members of society into something perverse.
Filed under: The Geek Beat
Continue reading The Geek Beat: Suffering Sidekicks
Permalink | Email this | Comments